Author: Professor Andrew Lear

Gossip, scandal, wit and lots of bosom-heaving sex! Bridgerton has caused millions to flutter their lashes and swoon as it quickly soared its way into petticoats and hearts. Within the first 28 days of its release more than 82 million households had taken in the gloriously British romp, becoming Netflix’s most-watched show of time. Creator Shonda Rhimes (Grey’s Anatomy, Private Practice, Scandal) cleverly matched colour-blind casting with sumptuously colourful costumes to explore the saucy lives of a Regency era aristocratic cast of characters that defied the traditional period drama model.  Oscar Wilde tour guide Dan Vo watched the series with his history house expert spectacles on and spotted some of his favourite historical places and breathtaking country homes serving as the backdrop of this vivacious reimaged England. For example In London, there’s Ranger's House in Greenwich, serving as the home of Lady Bridgerton, her four sons (Anthony, Benedict, Colin, and Gregory), and her four daughters (Daphne, Eloise, Francesca, and Hyacinth) as well as the extravagant Syon House standing in for The Duke of Hastings' home. Read on to discover the rich history each of these places has and their real-life significance in Regency times.  

At the end of this very real annus terribilis, I want to say a few words to you, our loyal readers and attendees.  Above all, thanks!  Thanks for keeping Shady Ladies Tours alive by reading our blog, attending our Zoom tours, watching our YouTube videos, contributing to our fundraisers—in short, for being a fabulously loyal community.  When the pandemic hit the US, in March, it seemed likely to kill the company completely.  Who would have thought that 9 months later, as the pandemic continued to rage, we would be putting on our 18th Zoom tour, with audiences regularly over 100, and have gathered over 28,000 views for our videos? It's been a hard year, but ours is a tiny, flourishing corner.  And we have a lot more coming after the holidays!  Want to find out more?

London's National Portrait Gallery has a great collection of portraits of famous and important people from British history.  If you ask the general public what that means, they would tell you it's a great place to see images of kings, queens, prime ministers, and other great people (mostly men). But actually, the National Portrait Gallery’s collection is much more fun than people realize.  It contains a lot of portraits of people with really entertaining stories, and these stories often revolve around the one thing that can make historical people seem really relatable:  love and sex.  And many of the most interesting stories are about *women*.

[* Purchase Tickets To the Scandals & Secrets Tours of the National Portrait Gallery of London *]

The world's museums are full of scandals and secrets.  John Singer Sargent's portrait of Virginie Amélie Avegno Gautreau, known simply as Madame X, is a great example.  When it Scandals and Secrets, example Sargent's Madame X Sargent's Madame X, the original, with the fallen shoulder strap was unveiled at the 1884 Paris Salon, it caused such a scandal that Sargent's career was almost destroyed.  Who after all would want to hire a portrait-painter who caused scandals at the Salon?  It was also damaging, of course, for Gautreau's reputation as a society beauty.  Her family begged Sargent to withdraw the painting from the Salon, but he refused.  After the Salon, however, he repainted the detail that had caused the biggest scandal.

It seems unbelievably dated, but people are still calling ambitious, intelligent women "nasty women."  As if that could hurt anyone's feelings in 2020!  In fact, like many other outdated insults,  it has the opposite effect.  Many women today are are taking the term on (as lesbians took on the term 'dyke') and calling themselves "nasty women" in sarcastic protest.

One of the fun things to look at in the Metropolitan museum is the way artists portray women's breasts—because while you might imagine that the modern obsession with large breasts is universal, in fact ideal breasts vary from cultural moment to cultural moment.  In particular, it is pretty clear that the Renaissance favored small breasts.  The corsets in fashion at that time created an upper body shape similar to the shape of a man's chest in armor.  It seems the women's corsets squashed their breasts out sideways to create this effect.  And Renaissance nudes' breasts are influenced by the way women looked when clothed:  their breasts are not large, sit low on the chest, and are quite far apart.  In the 18th and 19th centuries, by contrast, women's breasts reflect a different kind of corset:  they are larger, higher, and closer together. But what about *male* body parts?

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