courtesans

14 Dec Fashion History in Art

Posted at 22:42h in art history, beauty standards, courtesans, fashion, fashion history, Metropolitan Museum, Shady Ladies, Women's History by Professor Andrew Lear

We have been giving fashion history tours at the Metropolitan Museum for several months now, and the more we work on them, the more we see that fashion history is probably the biggest theme in the entire museum. If you think about it, you might think thathttps://shadyladiestours.com/fashion-and-beauty-tour/beauty—human beauty—is the biggest theme in the art history. But if you look carefully at the beautiful people in the museum, you will see that (aside perhaps from the Greek male nudes), the person's features are only a secondary aspect of the images. It isn't their natural beauty that makes people beautiful in art. Instead, the artworks focus on many other aspects of the beautiful person: on hairdos and make-up and jewelry and clothing and accessories and shoes. In short, human beauty in art consists not of beautiful features, but of costume or fashion.

07 Dec Who was the greatest Shady Lady?

Posted at 23:26h in art history, courtesans, Metropolitan Museum by jenni

People often ask us who the greatest Shady Lady was. And it's a hard question, because there are lots of possibilities: famous royal mistresses like Diane de Poitiers or Madame de Pompadour, famous courtesans like Marie Duplessis (the original of the Lady of the Camellias...

01 Sep Courtesans and mistresses in art

Posted at 01:12h in art history, courtesans, Metropolitan Museum, Paris tour, Shady Ladies, Women's History by Professor Andrew Lear

Elegant women are a huge theme in art history, and people mostly assume, as they stroll through art museums, that they are looking at queens, duchesses, and the wives of the wealthy. But often enough, they aren't. They are looking at royal "favorites," mistresses, and courtesans. Courtesans are in fact a particularly large theme in art, probably bigger than queens and duchesses. But people today pass by them without realizing who or what they were, because courtesans, if they exist today, are not important in our culture, so we're unaware of them.

31 Aug The feminist concept of the “male gaze”

Posted at 17:27h in art history, courtesans, Metropolitan Museum, nasty women by Professor Andrew Lear

The feminist concept of the "male gaze" is useful in art criticism. The concept originally comes from film studies, where it is used to discuss the fact that men traditionally controlled the camera, of which women were an object. Men certainly also controlled the brush...

07 Aug Courtesans of Paris tour—in the cemetery!

Posted at 02:13h in courtesans, Paris tour, Shady Ladies, Women's History by Professor Andrew Lear

One of my favorite things to do in Paris—really—is explore the cemeteries. The most famous one is Père Lachaise, where a host of celebs are buried, including most famously Oscar Wilde and Jim Morrison. But it is also a great place for learning about the great courtesans of the Belle Epoque. As an example, Chopin is buried there, the lover of George Sand—a scandalous lady if ever there was one—and so is Colette, in whose novels, such as Gigi and Chéri, courtesans are a major theme. But the great cemetery for Paris courtesans is really Montmartre, which is also a lovely place to take a shady, quiet walk in central Paris—right around the corner from the Moulin Rouge —so we take our Shady Ladies Tours Courtesans of Paris tour there, as you can see in the feature photo.

Madame du Barry Shady Ladies Philadelphia Museum of Art

30 May Shady Ladies of the Philadelphia Museum

Posted at 01:54h in art history, courtesans, philadelphia museum of art, Shady Ladies, Women's History by Professor Andrew Lear

The Philadelphia Museum of Art is not as big as the Metropolitan, and it might not be possible to arrange all the theme tours that we can in NYC. However, it has some wonderful Shady Ladies in its collection. Indeed, it has a great prize: Elizabeth Vigée Le Brun's iconic portrait of Madame du Barry, the last royal mistress of ancien régime France, whose famously seductive, almond-shaped eyes are the focus of the painting.

03 May Shady Ladies tour or Nasty Women?

Posted at 15:06h in art history, courtesans, Metropolitan Museum, nasty women, Shady Ladies, Women's History by Professor Andrew Lear

People often ask me what the difference is between the Shady Ladies tour and the Nasty Women tour—whether the themes are really different, whether in short they should go on both tours or only one. In fact, the difference between the two tours is very clear, and there is almost no overlap between them. The Shady Ladies tour is about royal mistresses and courtesans, fascinating categories of women that were prominent in cultures distant from our own—and which are major themes in the art of all those cultures, from ancient Greece to Edo-period Japan to Renaissance Italy to Belle Epoque France. The Nasty Women, instead, is about feisty, path-breaking women—women who had more power and/or independence than we usually think women in the past had.

25 Apr Fun, lesser-known sights on our Paris tour

Posted at 01:50h in art history, courtesans, Paris tour, Shady Ladies, Women's History by Professor Andrew Lear

Every Paris tour should include some major sights: even if you've seen them before, you can always see new sides. Plus some wonderful food of course. Our Shady Ladies Paris tour includes both of those, with a "Shady Ladies" tour of the Orsay Museum highlighting the racy sides of the collection (on the model of our well-known tour of the Metropolitan) and some truly excellent meals; also a tasting at the patisserie that is most famous for macarons. But we also include a bunch of sights in our Paris tour that you probably haven't seen—lesser-known sights that even Parisians think it would be cool to see.

18 Jan The bed of one of the great courtesans of 19th century Paris, Valtesse de la Bigne.

Posted at 05:30h in art history, courtesans, Metropolitan Museum, Shady Ladies, Women's History by Professor Andrew Lear

Great bed, eh? Maybe we should call it something like a temple of love. This is the bed of one of the great courtesans of 19th century Paris, Valtesse de la Bigne. Aside from her rich patrons, de la Bigne was the lover of several...

18 Jan Ernest-Ange Duez’s “Splendeur,” displayed at the Salon of 1874

Posted at 05:13h in art history, courtesans, Metropolitan Museum, Shady Ladies, Women's History by Professor Andrew Lear

Here is another thing we will see on our Shady Ladies tour of Paris--one of our favorite images of a courtesan: Ernest-Ange Duez's "Splendeur," displayed at the Salon of 1874. It was originally part of a diptych, with "Misère" on the other side, showing the...