Take The Tour And See What All The Talk Is About

SHADY LADIES BOSTON

For several years, Shady Ladies has been setting New York ablaze with its tours of the Metropolitan Museum, telling people the fascinating backstories that bring the museum to life—especially stories of women and their struggle for power. Now it comes to Boston to show you a whole new side of the MFA!

On this tour, you’ll learn how many fascinating sides of women’s history are reflected in the MFA’s collection, from the intimidating women of Greek mythology the gender rebel women artists of 19th century Boston.

As we explore the MFA, you’ll see ancient Greek women, from goddesses to courtesans, a Roman priestess, and some ancient murderesses as well. There is also a bust of Cleopatra (the original femme fatale), plus some fascinating possessions of Marie Antoinette (a woman who reached for the stars and lost her head). And from the 18th century onwards, works by women who broke barriers, smashed stereotypes and generally behaved in a way that some thuggish types might describe as “nasty.”

Shady Ladies tours are different from standard museum tours. We focus on the gripping backstories that museums generally ignore—the stories that put the art in its human context and make it more accessible. Once you’ve toured the MFA with us, you’ll see art—and women’s history—in a whole new light. Book your tour today, and learn just how fresh and exciting an art museum can be!

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SEEN ON THIS TOUR
[ucaddon_uc_movie_widget image=”6358″ btn_bg=”” link=”” btn_text=”” title=”Bronze bust of Cleopatra” content_bg=”#eeeeee” star_img=”” star_two=”” star_three=”” star_fore=”” star_five=””]This bronze is identified as Cleopatra by the diadem she wears and the asp on the foot. Isabella D’Este, one of the great powerhouses of Renaissance Italy—as diplomat, art patron, and fashion trendsetter—had a bust of Cleopatra in her study, and it seems likely that this is it, given that the Gonzagas (her husband’s family) were Antico’s main patrons. If so, this is a fascinating piece. It is rare that we see a powerful woman in history looking back to an earlier powerful woman as a role model, but that seems likely to be this bust’s raison d’être.[/ucaddon_uc_movie_widget]
[ucaddon_uc_movie_widget image=”6359″ btn_bg=”#ef577a” link=”https://fareharbor.com/embeds/book/shadyladiestours/items/217338/?full-items=yes&flow=365787″ btn_text=”BOOK NOW” title=”Athenian bowl with the killing of Agamemnon” content_bg=”#f8f7f7″ star_img=”” star_two=”” star_three=”” star_fore=”” star_five=””]Ancient Greece was a very oppressive society for women, and the psychological results were similar to those in other oppressive societies: the Greeks were terrified of women. This is why most of the monsters in Greek mythology are women. Tragedy is full of terrifying women as well, women who strike you in the privacy of the home by violating the limited but fundamental roles that have been left to them. Medea kills her children, and as seen here, Clytemnestra actually wields an axe to help her lover kill her husband in the privacy of his bath.[/ucaddon_uc_movie_widget]
[ucaddon_uc_movie_widget image=”6360″ btn_bg=”#ef577a” link=”https://fareharbor.com/embeds/book/shadyladiestours/items/217338/?full-items=yes&flow=365787″ btn_text=”BOOK NOW” title=”Mary Cassatt, In a Loge, 1878″ content_bg=”#eeeeee” star_img=”” star_two=”” star_three=”” star_fore=”” star_five=””]Like most of Mary Cassatt’s paintings, this one focuses on a woman. The painting seems to represent a struggle over control of the gaze. The woman is watching a performance through her opera glasses without any hint of interest in other theater-goers. Her closed fan seems to betoken a lack of interest in flirtation. The only other figure of interest in the painting is a man who has twisted himself toward her and leant out of his loge to stare at her through his opera glasses. He does not, however, succeed in catching her attention, which is fixed—perhaps, by implication, on things of the mind, rather than interactions with men.[/ucaddon_uc_movie_widget]

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