SHADY LADIES
Take Our Virtual Shady Ladies Tours Today!
Courtesans, royal mistresses, scandalous women of every sort—the walls of the Metropolitan Museum are lined with them, from ancient Greek hetaerae to John Singer Sargent’s Madame X.
These women, famous not only for sex appeal but also for their talents—and for a spirit which today we would call ‘entrepreneurial’—fascinated both their wealthy patrons and the artists who made them the subject of their masterpieces.
But who were they? How did they rise to their positions? And how did they maintain their prominence despite their scandalous reputations?
To find out, join us as we explore the lives and loves that lie behind the paintings. On this fun and informative two-hour Metropolitan Museum tour, we will learn about:
- the first nude female statue in ancient Greece and the hetaera who modeled for it
- the oiran of the pleasure quarter of 18th century Tokyo
- a Venetian courtesan who published books of poetry
- the official royal mistresses of the French kings
- a royal bastard who is the ancestor of many English aristocrats
- the grandes horizontales of Belle Epoque Paris
And so much more…
Come discover the racy and intriguing backstories behind the Metropolitan Museum’s collections. The Shady Ladies tour will change the way you see the museum—and art itself—forever.
[ucaddon_uc_icon_hover_effect_button text=”PURCHASE A GIFT CARD” icon=”fa-ticket” link=”https://fareharbor.com/embeds/book/shadyladiestours/items/217325/?full-items=yes&flow=365523″ background_color=”#ef577a”]
PRIVATE TOURS
AVAILABLE
Private Tours Available For Groups, Corporate Events & More!
SEEN ON THIS TOUR
Isoda Koryusai
This oiran (courtesan) is taking her afternoon promenade down the main street of the Yoshiwara, the pleasure district of Edo, today’s Tokyo. Like most oiran, she is vastly overdressed—displaying two kimonos, a pink robe, and several robes beneath it—and sporting a complex, non-symetrical hairdo, and wearing clogs so high that she must be tottering. The sash (obi) that ties her kimono is not tied behind her in the normal style, but in front—a sure sign of the oiran. Also, she offers a tantalizing glimpse of exposed neck, the body part treated as sexy in traditional Japanese erotica.
Mrs. Grace Dalrymple Elliott
Unlike many courtesans, Grace Dalrymple did not start life as a common prostitute. Instead, she was a bourgeois married lady whose husband divorced her when he found out about her affair with the Marquess of Cholmondeley. Cholmondeley was her principal patron and among other things commissioned this glorious portrait by Gainsborough, in which she seems to be an aristocratic lady, demurely holding the train of her splendid gold dress. Among her other patrons she counted the Prince of Wales (the future George IV and possibly the father of her daughter) and the Duc d’Orléans, Louis XVI’s famous revolutionary cousin.
Dancers in Pink and Green
Like most working women in 19th-century Paris, ballerinas did not earn enough to live on, and like many, they typically rounded out their income with prostitution. Ballerinas were famously beautiful, however, so this was high-class prostitution: rather than being paid for sex, ballerinas would receive gifts from a patron. Ballerinas were among Degas’ favorite topics, and he sometimes includes the patron in his paintings of them, as he does in this particularly beautiful painting, where the patron is included in silhouette, as if he were casting a shadow on the lives of these bright young girls.